100 Great Avant-garde Films!

Adynata (Leslie Thornton 1983)
Aelf-scin (Joseph Bernard 1979)
Aleph (Wallace Berman 1955-66?)
Alone. Life Wastes Andy Hardy (Martin Arnold 1998)
Amerikanos (Christos Dimas 1999)
Anémic Cinéma (Marcel Duchamp 1926)
L'Arrivée (Peter Tscherkassky 1997-1998)
Autumn Fire (Herman Weinberg 1930-33)
Ballet Mécanique (Fernand Léger and Dudley Murphy 1924)
Berlin Horse (Malcolm Le Grice 1970)
Blow Job (Andy Warhol 1963)
Boston Fire (Peter Hutton 1979)
La Cartomancienne (The Fortune Teller) (Jerome Hill 1932)
Un chant d'amour (Jean Genet 1950)
Un Chien Andalou (Luis Buñuel 1929)
Chronic (Jennifer Reeves 1997)
Chumlum (Ron Rice 1964)
La cicatrice intérieure (Philippe Garrel 1972)
Clouds (Peter Gidal 1969)
Cobra Mist (Emily Richardson 2008)
The Color of Pomegranates (Sergei Paradjanov 1968)
Colour Flight (Len Lye 1937)
Combat de boxe (Charles Dekeukeleire 1929)
Cul en l'air (Pierre Yves Clouin 1998)
Cybelle (Donald Richie 1968)
Decodings (Michael Wallin 1988)
Dirty (Stephen Dwoskin 1971)
Ecce Homo (Jerry Tartaglia 1989)
11 x 14 (James Benning)
A Family Finds Entertainment (Ryan Trecartin 2005)
Family Tyranny (Modelling and Molding) (Paul McCarthy and Mike
Kelley 1987)
Film Ist (Gustav Deutsch 1998-2004)
Filmpiece for Sunshine (John Luther Schofill, Jr. 1966-1968)
Flaming Creatures (Jack Smith 1963)
The Flicker (Tony Conrad 1966)
Fly Away Homo (Andrew HIller 1998)
La fórmula secreta (Rubén Gámez 1965)
From the Notebook of… (Robert Beavers 1971/1998)
Fuses (Carolee Schneemann 1967)
The Girl Chewing Gum (John Smith 1976)
Handsworth Songs (John Akomfrah 1986)
The Hart of London (Jack Chambers 1969-1970)
Images d'Ostende (Henri Storck 1929)
It Wasn't Love (Sadie Benning 1992)
Jack’s Dream (Joseph Cornell c. 1930-1970)
Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (Chantal Akerman 1975)
Klipperty Klopp (Andrew Kotting, 1984, 12m)
Kunst Life (Roger Jacoby 1975)
Kustom Kar Kommandos (Kenneth Anger 1965)
Light Rhythms (Francis Bruguière & Oswell Blakeston 1931)
Lost Book Found (Jem Cohen 1996)
Luke (Bruce Conner 1967)
Meshes of the Afternoon (Maya Deren and Alexander Hamid 1943)
Mirrors Facing Mirrors (Adam Cooley 2010)
Mosaik im Vertrauen (Peter Kubelka, 1955)
Motion Painting No. 1 (Oskar Fischinger 1947)
My Parents Read Dreams I’ve Had About Them (Neil Goldberg 1998)
Near the Big Chakra (Anne Severson 1971)
Nightcats (Stan Brakhage 1956)
Night Cries: A Rural Tragedy (Tracey Moffatt 1989)
(nostalgia) (Hollis Frampton 1971)
Notch (Diane Kitchen 2000)
Notes of an Early Fall (Saul Levine 1976-77)
1126 Dewey Avenue, Apt. 207 (John C. Hecker 1939)
Page of Madness (Teinosuke Kinugasa 1926)
The Passing (Bill Viola 1991)
Pensao Globo (Matthias Müller 1997)
Peyote Queen (Storm De Hirsch 1965)
Pink Narcissus (James Bidgood 1971)
pornfilm (Stephanie Barber 1999)
A Portrait of Ga (Margaret Tait 1952)
Pu Pu (Motoharu Jonouchi 1960)
Race d'Ep (Lionel Soukaz 1979)
Reflections of Evil (Damon Packard 2002)
La région centrale (Michael Snow 1967)
Reminiscences of a Journey to Lithuania (Jonas Mekas 1972)
Roof (Betsy Kalin 1998)
Schuss! (Nicolas Rey 2005)
She Puppet (Peggy Ahwesh 2001)
Side/Walk/Shuttle (Ernie Gehr 1991)
Sissy Boy Slap Party (Guy Maddin 1995)
6/64 Mama Und Papa (Kurt Kren 1964)
Sodom (Luther Price 1989)
Son nom de Venise dans Calcutta désert (Marguerite Duras 1976)
Sorrows (Gregory J. Markopoulos 1969)
Le souriante Madame Beudet (Germaine Dulac 1922)
"Sredni Vashtar" by Saki (David Bradley 1940-43)
Standard Gauge (Morgan Fisher 1984)
Stuffing (Animal Charm 1998)
Submit To Me Now (Richard Kern 1987)
Symphony for a Sinner (George Kuchar 1979)
Le Tempestaire (Jean Epstein 1947)
Thanatopsis (Ed Emshwiller 1963)
The End (Christopher Maclaine 1953)
This Is It (James Broughton 1971)
Thundercrack! (Curt McDowell 1975)
Tomatos Another Day (James Sibley Watson and Alec Wilder 1930/1933) (pictured below)
Tríptico Elemental de España (José Val del Omar, 1960)
The Vyrotonin Decision (Matt McCormick 1999)
Wet One (Ian MacTilstra 2008)
Whitney: Mama’s Little Baby (Lawrence Elbert 2000)
Wind Vane (Chris Welsby 1972)