Amadou & Mariam: Dimanche à Bamako (Nonesuch, 2005)

Unpublished review of one of my fave records of 2005:

The few records Amadou & Mariam, “The Blind Couple of Mali,” have released stateside underscored their status as hip, globetrotting world music stars. So it’s perfectly natural that their music skipped from the Paris café to the Delta back porch. This fabulous new disc strays even further from any pure Malian genre if such a thing even exists. The title translates as “Sunday in Bamako,” the capital of Mali. But it actually sounds like Sunday all over the world. This is less a function of genre hopping as it an immersion in sounds that are indigenous to most places on earth – crowds, overheard crosstalk, police sirens, music off in the distance. Thanks for the new direction can be given to polyglot musical genius Manu Chao. His production transforms even the longest songs into off-the-cuff, ridiculously catchy snippets. Awash in French folk song, Ali Farka Toure-style blues, and mild ska pulsations and yet as bright and slick as Sheryl Crow soaking up the sun, this is one mighty fine all-night festival.